Showing posts with label Henry Silva. Show all posts
Showing posts with label Henry Silva. Show all posts

Tuesday, 30 April 2013

Day of Resurrection (1980) AKA Fukkatsu no hi

What if a deadly air-borne virus killed off the population of earth? What if that wasn't the worst part?



Day of Resurrection was the most expensive Japanese film made at the time,  and was the manga publisher Kadokawa Shoten's attempt to break into the international film market. I expect that Hollywood wasn't too keen on a foreign studios muscling in on their patch, and the film failed to get a US general release. A shortened version (108mins) renamed Virus was shown in the States, but it seem to have now been forgotten, and the film has ended up in public domain.


Its got a great cast including Glenn Ford, Sonny Chiba, Robert Vaughn, George Kennedy, Oliva Hussey, Bo Svenson, & Henry Silva. It shares many similarities to the Late 70's disaster epics like Earthquake and Airport. Some of the actors probably stepped off the set of one disaster to this one. It even has its own love theme! (Why did they always have love themes in disaster films?)




The 1st part of the film reminded me of the Novel World War Z, without the zombies. Lots of short vignettes around the globe of how the virus is effecting humanity. Emotional scenes in a Japan hospital, A sweating POTUS in the White House, and confused scientists at an Arctic base. News reports of humanity breaking down. Riots and protests.



The 2nd part concentrates on the survivors who have congregated at the arctic base. Surprisingly, the film deals with the elephant in the room. Namely, of the group of 800 people, only eight are women. Yes, this movies go there. Obviously a movie about humanity being wiped out is grim, but its the bland council-meeting discussions of how to repopulate that are move unpleasant than any amount of scattered skeletons.



The last part (Spoilers) takes a sharp turn when the geologist of the group thinks that recent drilling may cause another disaster. Due to a convoluted chain of events, a earthquake in Washington DC will set off the Nuclear missiles aimed at Russia. Which similarly will set off the missiles aimed at the USA including the Alaskian base that the last of humanity is holed up in.

You have to like a film which is not content with wiping out humanity with a man-made virus, but wants to finish the job with a thermo-nuclear war!

There is a strange Alejandro Jodorowsky vibe to the ending that gives a slight amount of optimism which I think is completely missing from the shortened Virus version.


The film really boils down to a message of the folly of nuclear war. A message, that the Japanese would obviously have strong feeling about. 1980 was a dangerous time in the cold war. USA/Russian relationships were frosty. Mutually Assured Distruction was still the only real nuclear deterrent.

Sidenotes:

Henry Silva has played plenty of great villains, but here he is responsible for wiping out humanity twice! Good work!

Sunday, 7 April 2013

Shoot (1976)


A hunting trip goes very wrong in this intriguing Canadian movie starring Cliff Robertson and Ernest Borgnine.

A group of middle-aged buddies go on a deer hunt in the woods. With nothing to shoot but the breeze, the  party are about to call it a day, when they come across another set of hunters. After some major eye-balling, the other group takes a pot-shot at them, and a spontaneous shoot-out breaks out. When Zeke, played by perennial bad guy Henry Silva, kills one of their party, the groups scarper.


With its similarities to Deliverance, the movie becomes an exploration of the consequence of this violence. Should they report it to the police? will the others? What importance would they place on who started it? Lou (Borgnine) is the group's conscience, and as they decide their next steps, its clear that he is a lone voice.

Rex (Robertson) plays the most troubled member of the party. A man who seems to have a better relationship to his gun collection, than to his family. As he investigates who the other shooting party were, he begins to believe that what happened was only an opening skirmish in a full-on war.


The film has plenty of earthy dialogue. When one of the group is being treated by a veterinarian friend, Borgnine quips "You know that needle was previously in a horse's ass?". There's a nice down-to-earth quality to the movie, and the direction by Harvey Hart is solid and unshowy (he directed several 70's Columbo TV movies).


The film doesn't quite live up to the opening scenes, as Rex is pretty unlikeable, and we don't get to know the other characters that well. This gives a too narrow perspective on the events that follow. It would have been better if Rex's paranoia hadn't been so obviously valid, and the ending would seem to undermine the point the films seem to raising. I think this maybe due to simplifying the source material, a novel by Douglas Fairbairn.

Still, its worth a look as an examination of machismo and gun control.

(Presently on YouTube)